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THE woman in the same way as THE DRAGON. Above the low, glossy black lacquer table, the itch whiteness of the airline ticket stood out next-door to a serving bottle of sake and an ochoko[1]. The rain sounded, pretending to drown out the voice of Lie To Me[2], and percussed in the meninges of both as if it were a situation of the nippy Roland TR-808 and TR-909 rhythm boxes, critical in electronic music. And there, there they were, approach to face, without smoke, without others to fill a non-existent track or MDMA to cloud their reasoning...
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THE woman next THE DRAGON. Above the low, glossy black lacquer table, the throbbing whiteness of the airline ticket stood out bordering to a serving bottle of sake and an ochoko[1]. The rain sounded, pretending to drown out the voice of Lie To Me[2], and percussed in the meninges of both as if it were a matter of the nippy Roland TR-808 and TR-909 rhythm boxes, indispensable in electronic music. And there, there they were, face to face, without smoke, without others to occupy a non-existent track or MDMA to cloud their reasoning or neon...
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THE girl later THE DRAGON. Above the low, glossy black lacquer table, the tender whiteness of the airline ticket stood out bordering to a serving bottle of sake and an ochoko[1]. The rain sounded, pretending to drown out the voice of Lie To Me[2], and percussed in the meninges of both as if it were a event of the nippy Roland TR-808 and TR-909 rhythm boxes, essential in electronic music. And there, there they were, position to face, without smoke, without others to fill a non-existent track or MDMA to cloud their reasoning or neon lights...
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THE girl taking into account THE DRAGON. Above the low, glossy black lacquer table, the throb whiteness of the airline ticket stood out neighboring to a serving bottle of sake and an ochoko[1]. The rain sounded, pretending to drown out the voice of Lie To Me[2], and percussed in the meninges of both as if it were a thing of the nippy Roland TR-808 and TR-909 rhythm boxes, necessary in electronic music. And there, there they were, perspective to face, without smoke, without others to fill a non-existent track or MDMA to cloud their reasoning...
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THE girl once THE DRAGON. Above the low, glossy black lacquer table, the pining whiteness of the airline ticket stood out next to a serving bottle of sake and an ochoko[1]. The rain sounded, pretending to drown out the voice of Lie To Me[2], and percussed in the meninges of both as if it were a thing of the nippy Roland TR-808 and TR-909 rhythm boxes, indispensable in electronic music. And there, there they were, outlook to face, without smoke, without others to fill a non-existent track or MDMA to cloud their reasoning or neon lights...
no image
THE woman when THE DRAGON. Above the low, glossy black lacquer table, the throbbing whiteness of the airline ticket stood out adjacent to a serving bottle of sake and an ochoko[1]. The rain sounded, pretending to drown out the voice of Lie To Me[2], and percussed in the meninges of both as if it were a business of the nippy Roland TR-808 and TR-909 rhythm boxes, essential in electronic music. And there, there they were, outlook to face, without smoke, without others to occupy a non-existent track or MDMA to cloud their reasoning or neon...
no image
THE girl subsequent to THE DRAGON. Above the low, glossy black lacquer table, the painful sensation whiteness of the airline ticket stood out next-door to a serving bottle of sake and an ochoko[1]. The rain sounded, pretending to drown out the voice of Lie To Me[2], and percussed in the meninges of both as if it were a thing of the nippy Roland TR-808 and TR-909 rhythm boxes, indispensable in electronic music. And there, there they were, point of view to face, without smoke, without others to occupy a non-existent track or MDMA to cloud...
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