THE girl gone THE DRAGON. Above the low, glossy black lacquer table, the throb whiteness of the airline ticket stood out neighboring to a serving bottle of sake and an ochoko[1]. The rain sounded, pretending to drown out the voice of Lie To Me[2], and percussed in the meninges of both as if it were a event of the nippy Roland TR-808 and TR-909 rhythm boxes, vital in electronic music. And there, there they were, point to face, without smoke, without others to occupy a non-existent track or MDMA to cloud their reasoning or neon lights to...
