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THE girl in imitation of THE DRAGON. Above the low, glossy black lacquer table, the sensitive whiteness of the airline ticket stood out next-door to a serving bottle of sake and an ochoko[1]. The rain sounded, pretending to drown out the voice of Lie To Me[2], and percussed in the meninges of both as if it were a issue of the nippy Roland TR-808 and TR-909 rhythm boxes, critical in electronic music. And there, there they were, incline to face, without smoke, without others to fill a non-existent track or MDMA to cloud their reasoning or...
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no image

THE girl in imitation of THE DRAGON. Above the low, glossy black lacquer table, the painful feeling whiteness of the airline ticket stood out adjacent to a serving bottle of sake and an ochoko[1]. The rain sounded, pretending to drown out the voice of Lie To Me[2], and percussed in the meninges of both as if it were a concern of the nippy Roland TR-808 and TR-909 rhythm boxes, indispensable in electronic music. And there, there they were, tilt to face, without smoke, without others to occupy a non-existent track or MDMA to cloud their...
Read More →
no image

THE woman afterward THE DRAGON. Above the low, glossy black lacquer table, the throbbing whiteness of the airline ticket stood out bordering to a serving bottle of sake and an ochoko[1]. The rain sounded, pretending to drown out the voice of Lie To Me[2], and percussed in the meninges of both as if it were a event of the nippy Roland TR-808 and TR-909 rhythm boxes, vital in electronic music. And there, there they were, direction to face, without smoke, without others to occupy a non-existent track or MDMA to cloud their reasoning or neon...
Read More →
no image

THE woman gone THE DRAGON. Above the low, glossy black lacquer table, the twinge whiteness of the airline ticket stood out next to a serving bottle of sake and an ochoko[1]. The rain sounded, pretending to drown out the voice of Lie To Me[2], and percussed in the meninges of both as if it were a matter of the nippy Roland TR-808 and TR-909 rhythm boxes, essential in electronic music. And there, there they were, point of view to face, without smoke, without others to fill a non-existent track or MDMA to cloud their reasoning or neon lights...
Read More →
no image

THE woman once THE DRAGON. Above the low, glossy black lacquer table, the yearning whiteness of the airline ticket stood out next to a serving bottle of sake and an ochoko[1]. The rain sounded, pretending to drown out the voice of Lie To Me[2], and percussed in the meninges of both as if it were a event of the nippy Roland TR-808 and TR-909 rhythm boxes, valuable in electronic music. And there, there they were, twist to face, without smoke, without others to fill a non-existent track or MDMA to cloud their reasoning or neon lights to illuminate...
Read More →
no image

THE woman later THE DRAGON. Above the low, glossy black lacquer table, the pining whiteness of the airline ticket stood out bordering to a serving bottle of sake and an ochoko[1]. The rain sounded, pretending to drown out the voice of Lie To Me[2], and percussed in the meninges of both as if it were a event of the nippy Roland TR-808 and TR-909 rhythm boxes, vital in electronic music. And there, there they were, twist to face, without smoke, without others to occupy a non-existent track or MDMA to cloud their reasoning or neon lights to...
Read More →
no image

THE girl taking into account THE DRAGON. Above the low, glossy black lacquer table, the yearning whiteness of the airline ticket stood out bordering to a serving bottle of sake and an ochoko[1]. The rain sounded, pretending to drown out the voice of Lie To Me[2], and percussed in the meninges of both as if it were a event of the nippy Roland TR-808 and TR-909 rhythm boxes, necessary in electronic music. And there, there they were, slope to face, without smoke, without others to fill a non-existent track or MDMA to cloud their reasoning...
Read More →
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